Psychopathic aesthetic arrogance

Repulsive and barbaric

Repulsive and barbaric

The Shard (2012), writes Dalrymple, is

grossly incompetent.

It

unbalances an already much damaged skyline

and is an example of

the devastation wrought by barbaric architects.

The egotist Renzo Piano imagines that

his adolescent rebellion is something to be proud of.

Technical advancement,

for which gigantism is often a metonym, is mistaken for improvement.

The Shard would, says Dalrymple,

be perfect for Dubai: its glassy vulgarity would hardly attract notice there. But London is not Dubai even if its prosperity is built, metaphorically, on sand.

Modernity

is the most fleeting of qualities, and useless for assessing the worth of anything. Fascism and nylon shirts were once modern, but no one would now call them the finest flower of the human mind or spirit.

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