Bullies to the poor and toadies to the rich

Dalrymple writes that

the great figures of architectural modernism—great in the scope and degree of their baleful influence, not in æsthetic merit—were from the first totalitarian in spirit.

They were

toadies to the rich and bullies to the poor; and they were communists and fascists (not in the merely metaphorical sense, either).

He explains that by a mixture of

ardent self-promotion, bureaucratic scheming, and intellectual terrorism

these totalitarians

managed to gain virtual control of the world’s schools of architecture. (How, incidentally, were the world’s most beautiful cities and buildings erected without the aid of architectural schools?)

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