The inherent condescension of special funding of black actors

Give me the money!

Institutionalised racial discrimination

Hardly anyone, writes Dalrymple, questions the propriety of allocating funds on the basis of race. He notes that

visitors to the National Theatre or the Royal Shakespeare Company would be surprised to hear that black actors are underrepresented in the theatre, for in those companies’ productions, at least, they seem to be grossly overrepresented, presumably as a result of deliberate policy.

No one notices, either,

the inherent condescension of special funding of black actors and artists in other fields. There are no special funds, for example, for the Chinese, who are presumed able to look after themselves.

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