Category Archives: Nazi Germany

Schubert can help murderers unwind

Dalrymple observes that Anthony Burgess, in his 1962 novel A Clockwork Orange, demonstrated that he had foreseen many aspects of the youth culture to come — to take one of many examples,

the importance that industrialised pop music would play in it.

Dalrymple notes, however, that Burgess

did not suggest that high culture was necessarily ennobling in itself.

The character Alex,

much superior in intelligence to his followers, is a devotee of classical music, listening to which, however, increases his urge to commit violence. No doubt Burgess had in mind those Nazis who could listen with emotion to Schubert lieder after a hard day’s genocide.

Eure Schuld!

screen-shot-2017-01-01-at-23-02-29Germany’s, ah, particular historical situation

There is, Dalrymple points out (from 1:09),

a particular historical situation in Germany which the Germans have been trying to overcome, unsuccessfully, for the last 70 years.

Taking in a million economic migrants

was an opportunity for the Germans to be better than everyone else.

The Scandinavians, he says, are the same.

screen-shot-2017-01-01-at-23-07-04Dalrymple does not think that Merkel

will take in another million migrants in a hurry.

He examines the argument that Merkel took this catastrophic step

because Germany’s population is declining, so they need workers, they need immigrants. But in that case, why not take in the unemployed of Spain or of Greece? Why not recruit there?

screen-shot-2017-01-01-at-23-08-46No, says Dalrymple, this is not the real reason. The real reason the Germans took in so many economic migrants is that

they still feel tremendous guilt, and are trying to demonstrate that they are not as they were before.

screen-shot-2017-01-01-at-23-10-13